“A group to which I owe some of my greatest musical experiences.”—The Guardian on the Takács Quartet One of the world’s most celebrated string quartets is making a welcome return to […]
Read MoreThis is part of a series of monthly articles about people who support the University of Georgia Performing Arts Center. Meet Cecil and Sandy Hudson. They are native Georgians and […]
Read More“Intensely passionate and lively with moments of almost painful sweetness and longing.”—Cultural Voice of North Carolina Kiwi-American violinist Geneva Lewis, winner of both the Avery Fisher Career Grant and Concert […]
Read More“Max Raabe stands for the good old times as their archetypal ambassador.”—Der Tagesspiegel Dashing, dapper, and debonair, German crooner Max Raabe believes the timeless songs of the 1920s and ’30s […]
Read More“Theirs is among the most distinctive and uplifting choral sounds around.”—NPR More than sixty years ago, a young South African man, Joseph Shabalala, had persistent dreams involving the sweetest choral […]
Read More“VOCES8 is among a precious few vocal groups that can do so much so well.”—Star Tribune Friday, February 23rd at 7:30 p.m., Hodgson Concert Hall welcomes the return of VOCES8. […]
Read MoreThis is part of a series of monthly articles about people who support the University of Georgia Performing Arts Center. Meet John and Dr. Maxine Rofrano. He’s a retired investment […]
Read More“A thoroughly authentic, engaging, and upbeat night.”—DC Theater Arts The Doo Wop Project traces the evolution of doo-wop from the classic sounds of street corner harmonies to today’s biggest radio […]
Read More“They performed with unabashed elegance.”—ConcertoNet.com Sunday, Feb. 11 at 2 p.m. at Hodgson Concert Hall, the Apollon Musagète Quartet makes its Athens debut. This Polish ensemble praised for “an enormous […]
Read MoreOn Friday, February 9, 2024 at 7:30 p.m., the American Contemporary Music Ensemble (ACME) will perform The Music of Jóhann Jóhannsson presented by the University of Georgia Performing Arts Center […]
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